Connie was fascinated, listening to her. But afterwards always a little ashamed. She ought not to listen with this queer rabid curiosity. After all, one may hear the most private affairs of other people, but only in a spirit of respect for the struggling, battered thing which any human soul is, and in a spirit of fine, discriminative sympathy. For even satire is a form of sympathy. It is the way our sympathy flows and recoils that really determines our lives. And here lies the vast importance of the novel, properly handled. It can inform and lead into new places the flow of our sympathetic consciousness, and it can lead our sympathy away in recoil from things gone dead. Therefore, the novel, properly handled, can reveal the most secret places of life: for it is in the PASSIONAL secret places of life, above all, that the tide of sensitive awareness needs to ebb and flow, cleansing and freshening.

But the novel, like gossip, can also excite spurious sympathies and recoils, mechanical and deadening to the psyche. The novel can glorify the most corrupt feelings, so long as they are CONVENTIONALLY ‘pure’. Then the novel, like gossip, becomes at last vicious, and, like gossip, all the more vicious because it is always ostensibly on the side of the angels. Mrs Bolton’s gossip was always on the side of the angels. ‘And he was such a BAD fellow, and she was such a NICE woman.’ Whereas, as Connie could see even from Mrs Bolton’s gossip, the woman had been merely a mealy–mouthed sort, and the man angrily honest. But angry honesty made a ‘bad man’ of him, and mealy–mouthedness made a ‘nice woman’ of her, in the vicious, conventional channelling of sympathy by Mrs Bolton.

For this reason, the gossip was humiliating. And for the same reason, most novels, especially popular ones, are humiliating too. The public responds now only to an appeal to its vices.

Nevertheless, one got a new vision of Tevershall village from Mrs Bolton’s talk. A terrible, seething welter of ugly life it seemed: not at all the flat drabness it looked from outside. Clifford of course knew by sight most of the people mentioned, Connie knew knew only one or two. But it sounded really more like a Central African jungle than an English village.

‘I suppose you heard as Miss Allsopp was married last week! Would you ever! Miss Allsopp, old James’ daughter, the boot–and–shoe Allsopp. You know they built a house up at Pye Croft. The old man died last year from a fall; eighty–three, he was, an’ nimble as a lad. An’ then he slipped on Bestwood Hill, on a slide as the lads ‘ad made last winter, an’ broke his thigh, and that finished him, poor old man, it did seem a shame. Well, he left all his money to Tattie: didn’t leave the boys a penny. An’ Tattie, I know, is five years—yes, she’s fifty–three last autumn. And you know they were such Chapel people, my word! She taught Sunday school for thirty years, till her father died. And then she started carrying on with a fellow from Kinbrook, I don’t know if you know him, an oldish fellow with a red nose, rather dandified, Willcock, as works in Harrison’s woodyard. Well he’s sixty–five, if he’s a day, yet you’d have thought they were a pair of young turtle–doves, to see them, arm in arm, and kissing at the gate: yes, an’ she sitting on his knee right in the bay window on Pye Croft Road, for anybody to see. And he’s got sons over forty: only lost his wife two years ago. If old James Allsopp hasn’t risen from his grave, it’s because there is no rising: for he kept her that strict! Now they’re married and gone to live down at Kinbrook, and they say she goes round in a dressing–gown from morning to night, a veritable sight. I’m sure it’s awful, the way the old ones go on! Why they’re a lot worse than the young, and a sight more disgusting. I lay it down to the pictures, myself. But you can’t keep them away. I was always saying: go to a good instructive film, but do for goodness sake keep away from these melodramas and love films. Anyhow keep the children away! But there you are, grown–ups are worse than the children: and the old ones beat the band. Talk about morality! Nobody cares a thing. Folks does as they like, and much better off they are for it, I must say. But they’re having to draw their horns in nowadays, now th’ pits are working so bad, and they haven’t got the money. And the grumbling they do, it’s awful, especially the women. The men are so good and patient! What can they do, poor chaps! But the women, oh, they do carry on! They go and show off, giving contributions for a wedding present for Princess Mary, and then when they see all the grand things that’s been given, they simply rave: who’s she, any better than anybody else! Why doesn’t Swan & Edgar give me ONE fur coat, instead of giving her six. I wish I’d kept my ten shillings! What’s she going to give me, I should like to know? Here I can’t get a new spring coat, my dad’s working that bad, and she gets van–loads. It’s time as poor folks had some money to spend, rich ones ‘as ‘ad it long enough. I want a new spring coat, I do, an’ wheer am I going to get it? I say to them, be thankful you’re well fed and well clothed, without all the new finery you want! And they fly back at me: ‘‘Why isn’t Princess Mary thankful to go about in her old rags, then, an’ have nothing! Folks like HER get van–loads, an’ I can’t have a new spring coat. It’s a damned shame. Princess! Bloomin’ rot about Princess! It’s munney as matters, an’ cos she’s got lots, they give her more! Nobody’s givin’ me any, an’ I’ve as much right as anybody else. Don’t talk to me about education. It’s munney as matters. I want a new spring coat, I do, an’ I shan’t get it, cos there’s no munney...’’ That’s all they care about, clothes. They think nothing of giving seven or eight guineas for a winter coat—colliers’ daughters, mind you—and two guineas for a child’s summer hat. And then they go to the Primitive Chapel in their two–guinea hat, girls as would have been proud of a three–and–sixpenny one in my day. I heard that at the Primitive Methodist anniversary this year, when they have a built–up platform for the Sunday School children, like a grandstand going almost up to th’ ceiling, I heard Miss Thompson, who has the first class of girls in the Sunday School, say there’d be over a thousand pounds in new Sunday clothes sitting on that platform! And times are what they are! But you can’t stop them. They’re mad for clothes. And boys the same. The lads spend every penny on themselves, clothes, smoking, drinking in the Miners’ Welfare, jaunting off to Sheffield two or three times a week. Why, it’s another world. And they fear nothing, and they respect nothing, the young don’t. The older men are that patient and good, really, they let the women take everything. And this is what it leads to. The women are positive demons. But the lads aren’t like their dads. They’re sacrificing nothing, they aren’t: they’re all for self. If you tell them they ought to be putting a bit by, for a home, they say: That’ll keep, that will, I’m goin’ t’ enjoy myself while I can. Owt else’ll keep! Oh, they’re rough an’ selfish, if you like. Everything falls on the older men, an’ it’s a bad outlook all round.’

“Well?” asked Von Bork eagerly, running forward to meet his visitor.

For answer the man waved a small brown-paper parcel triumphantly above his head.

“You can give me the glad hand to-night, mister,” he cried. “I’m bringing home the bacon at last.”

“The signals?”

“Same as I said in my cable. Every last one of them, semaphore, lamp code, Marconi — a copy, mind you, not the original. That was too dangerous. But it’s the real goods, and you can lay to that.” He slapped the German upon the shoulder with a rough familiarity from which the other winced.

“Come in,” he said. “I’m all alone in the house. I was only waiting for this. Of course a copy is better than the original. If an original were missing they would change the whole thing. You think it’s all safe about the copy?”

The Irish-American had entered the study and stretched his long limbs from the armchair. He was a tall, gaunt man of sixty, with clear-cut features and a small goatee beard which gave him a general resemblance to the caricatures of Uncle Sam. A half-smoked, sodden cigar hung from the corner of his mouth, and as he sat down he struck a match and relit it. “Making ready for a move?” he remarked as he looked round him. “Say, mister,” he added, as his eyes fell upon the safe from which the curtain was now removed, “you don’t tell me you keep your papers in that?”

“Why not?”

“Gosh, in a wide-open contraption like that! And they reckon you to be some spy. Why, a Yankee crook would be into that with a canopener. If I’d known that any letter of mine was goin’ to lie loose in a thing like that I’d have been a mug to write to you at all.”

“It would puzzle any crook to force that safe,” Von Bork answered. “You won’t cut that metal with any tool.”

“But the lock?”

“No, it’s a double combination lock. You know what that is?”

“Search me,” said the American.

“Well, you need a word as well as a set of figures before you can get the lock to work.” He rose and showed a double-radiating disc round the keyhole. “This outer one is for the letters, the inner one for the figures.”

“Well, well, that’s fine.”

“So it’s not quite as simple as you thought. It was four years ago that I had it made, and what do you think I chose for the word and figures?”

“It’s beyond me.”

“Well, I chose August for the word, and 1914 for the figures, and here we are.”

The American’s face showed his surprise and admiration.

“My, but that was smart! You had it down to a fine thing.”

“Yes, a few of us even then could have guessed the date. Here it is, and I’m shutting down to-morrow morning. ”

“Well, I guess you’ll have to fix me up also. I’m not staying in this goldarned country all on my lonesome. In a week or less, from what I see, John Bull will be on his hind legs and fair ramping. I’d rather watch him from over the water.”